The connection between generations through the lens: a dialogue between Boris Mikhailov's visual art and Anton Belinsky's design interpretation. 

Mikhailov says: the body is an archive, and Belinsky adds: clothing becomes the cover of this archive. A person becomes a complete product. Faith and human interaction over time are the central themes of this story.

Boris Mikhailov is an artist whose practice shapes the vision of more than one generation. His works are candid, sometimes straightforward, but always sincere and relevant. At the centre of the exhibition are three of his series: "Birth", "Football" and "Sandwich". Each of them is a fragment of life: birth as a beginning; life as a game; a sandwich as a symbol of everyday life. Together, these series form a chronicle of human vulnerability and a mirror of our existence and history.

Anton Belinsky works in a different plane, but continues the conversation in his medium — clothing. Using the transparency of shirts, Belinsky demonstrates the openness of the human soul to the outside world. Clothing is temporary, air is infinite, the soul is eternal. Mikhailov's photographs on fabric are a combination of two worlds: film, which preserves life, and clothing, which is an important element of it. 

The collaboration between the artistic practices of Boris Mikhailov and Anton Belinsky combines clothing and photography, blurring the boundaries between generations. Mikhailov and Belinsky are artists with different visions: one captures reality, the other imprints the present in his work with clothing, which does not hide but reveals, creating a multidimensional intertemporal dialogue.